1952 Born in Zurich, grew up in Schiers (CH)
1973 - 1975 Music studies in Graz (A)
1997 - 2010 Founder & leader of the Vienna Art Orchestra
1993 - 1995 Founder & head of the Jazz Club Porgy & Bess
1997 - 2010 Founder & head of the Hans Koller Preis
since 2013 collaboration with Lia Pale
57 records and over 600 compositions/arrangements
Born in Zurich in 1952, mathias rüegg completed his studies to become a primary school teacher and taught for a while in various special needs schools. From 1973-1975, he studied classical composition and jazz piano in Graz. In 1976, he moved to Vienna, where he worked as a free-lance pianist. After a while, he got tired of solo work and created the Vienna Art Orchestra in 1977. Since then, he has written almost all of the VAO’s programs, and has handled the management and organization of the orchestra all by himself. From 1983-87, he also led the Vienna Art Choir. In the years 1984-86, he was voted No.1 Arranger by Down Beat the leading American jazz magazine. He wrote commissioned pieces for other jazz orchestras, such as the NDR Big-Band, SDR Big-Band, Umo Big-Band Helsinki, Swedish Radio Jazz Group and the RTV Big Band Slovenia, as well as for classical orchestras, such as the Wiener Symphoniker, Basler Sinfonietta, Opus Novum, Ensemble Kontrapunkte, Die Reihe, Deutsche Kammerphilharmonie, Orchestre de Normandie Basse and l’Orchestra della Svizzera Italiana. He also led workshops in Vienna, Cologne, Hanover, Berlin, Bern, and Trento. As part of his collaboration with George Tabori and the Serapionstheater, he composed film and theatre music. From 1983 to 1990, he engaged in special projects combining music and literature with the Viennese poet/lyricist Ernst Jandl. Rüegg also worked as artistic director for numerous festivals, including the U & E Third Dream Festival, Jandl Total, Vienna meets Paris, Vienna meets London, and the Alpentöne Festival in Altdorf (CH). In addition, he headed numerous multimedia projects, including Der achte Tag (Wiener Festwochen 1980), Jonny tritt ab (Donaueschin-gen 1981), SENS (Wiener Festwochen 1987), Fe & Males (1989), and La belle at la bête (1992).
For the 1991 Mozart Year, he produced the music film NOT MOZART, on commission by the BBC. Founder of the Viennese jazz and music club Porgy & Bess and also its head until he assigned it to Christoph Huber, he also recently established the Austrian jazz award, the Hans Koller Preis. Since 1994, he has devoted himself increasingly to chamber music and has written compositions for soloists and chamber orchestra for Corin Curschellas, Michel Portal, Wolfgang Puschnig, Matthieu Michel, and Wolfgang Muthspiel, in addition to a variety of works for other classical ensembles. During 2003, together with Bill Frisell, he was the musical director of the Ruhr Triennale/Festival Century of Song dedicated to the European Song of the 20th century. In 2008, he discontinued the big band and changed the VAO into a chamber group with jazz soloists. The new line-up staged its premiere in May 2009 with the program Third Dream. In the same year, his Piano Concerto No.1 was premiered in the Wiener Konzerthaus. On 9 July 2010, due to financial difficulties, he disbanded the VAO, after their last concert in Viktring/Klagenfurt, at which he presented six of his own arrangements of Mahler lieder.
His new area of activity is the composition of chamber music, which will be published by the Viennese music publishers Doblinger. From 2010 to 2011 he taught at the IPOP (Universität für Musik & darstellende Kunst) in Vienna.
In 2011 he composed the music for the New York based Big Apple Circus and their show Dream Big, which he also rehearsed on-site in the circus as the band leader. Furthermore, he was invited by various big bands to conduct workshops, such as the Conservatory of Vienna (2010), Generations in Frauenfeld, which also led to a reunion of the 80s-line-up of the Vienna Art Orchestra, or the HGM Jazzorckestar Zagreb (2013).
Foto by Andreas Bitesnich, 2007
Foto by Andreas Bitesnich, 2007
Since 2012 he has been working closely with the singer Lia Pale, with whom he had his comeback as an arranger/piano player at the Porgy & Bess with Gone Too Far, a new adaption of parts of Schubert’s Winterreise on February 14th, 2013. Since then, he has been touring with Lia Pale. A second album followed in 2015: My Poet’s Love, lyrics from Rainer Maria Rilke and Heinrich Heine, set to music by m. rüegg. For the L’Orchestre of Jean-Christophe Cholet et Alban Darche, he arranged Francis Poulenc’s La Rhapsodie Nègre & wrote a couple of chamber music pieces in the spirit of Poulenc. In 2016, he was nominated for the Swiss Music Prize in Switzerland, and in Canada, for the Prix Opus, catégorie Concert de l’année - Jazz et musiques du monde with The Orchestre National de Jazz de Montreal. In 2017, he was asked by the Salzburger Festspiele to write the music for Jedermann. Also in 2017, the albums A Winter’s Journey (Schuberts Liedzyklus) and The Schumann Songbook, both with Lia Pale, were published on Lotus Records. In fall 2018 rüegg/Pale present The Brahms Song Book and in fall 2019 Sing My Soul, Arias & Songs from G.F. Händel.
During the lockdown due to the Covid 19-pandemic in March and April 2020 mathias rüegg composed over the period of two months every day one piece for piano. These 40 piano miniatures called Solitude Diaries - played by eleven different piano players will be released on December 1st 2020 on Lotus Records.
1984-86 Arranger No1 (Down Beat/Cat. Rising Star)
1993 Prix Bobby Jaspar (Académie francaise du Jazz)
1999 Grosser Preis der SUISA
1999 Nomination for the JAZZPAR
2001 Österreichischer Würdigungspreis für Musik
2009 Musikpreis der Stadt Wien
2016 Nomination for the Swiss Music Award